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Monastic Visions: Wall Paintings in the Monastery of St. Antony at the Red Sea

Additional authors: Elizabeth S. Bolman | Patrick Godeau
Published by : American Research Center in Egypt | Emory University in USA | Yale University Press (UK) , 2002, Physical details: 307 pages, 32 cm. ISBN:0-300-09224-5; 978-0-300-09224-0.
Subject(s): Christian saints in art
Language(s): English
Year: 2002
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Item type Current location Shelving location Classification Status Date due Barcode
Book Book Central Papal Library
H42U Christian Antiquities الآثار المسيحية Available 18816
Book Book Central Papal Library
H423 Christian Antiquities الآثار المسيحية Available 5263

"An ancient church in the Coptic Monastery of St. Antony at the Red Sea contains a unique cycle of thirteenth-century wall paintings. They constitute by far the most complete and best-preserved iconographic program of Christian paintings to come from medieval Egypt. Ignored for centuries because they were covered with soot and overpainting, these compelling images have recently undergone conservation. This beautiful book reproduces the cleaned paintings for the first time. It also describes and analyzes their amalgam of Coptic (Egyptian Christian), Byzantine, and Arab styles and motifs as well as the religious culture to which they belong.In 1996, funded by the United States Agency for International Development and at the request of the Monastery of St. Antony, the Antiquities Development Project of the American Research Center in Egypt began the conservation of the paintings in the church. The paintings revealed by the conservators are of extremely high quality, both stylistically and conceptually. While,rooted in the Christian tradition of Egypt, they also reveal explicit connections with Byzantine and Islamic art of the twelfth and thirteenth centuries. Some newly discovered paintings can even be dated back to the sixth or seventh century. The authors of this book -- who include art historians, conservators, historians, an archaeologist, and an anthropologist -- discuss the significance of these revelations and place the church and the paintings within the artistic and historical traditions of both Coptic Egypt and the eastern Mediterranean region in the Middle Ages."

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